for the Interviews and Articles

Ardley, Neil. Music: An Illustrated Encyclopedia. Apollo Place, Lane Cove, NSW: Hodder and Stoughton, 1986.

Arnold, Denis, ed. The New Oxford Companion to Music. 2 vols. Oxford: Oxford U Press, 1983.

Backus, John.  The Acoustical Foundations of Music: Musical Sound; its Properties, Production,  Behavior, and Reproduction.  2nd ed.  New York: W. W. Norton & Co., 1977.

Baines, Anthony, ed. Musical Instruments Through the Ages. Harmondsworth, Middlesex: Penguin Books, 1971.

- - - .  The Oxford Companion to Musical Instruments.  Oxford: Oxford U Press, 1992.

Bartlett, John. Familiar Quotations: a Collection of Passages, Phrases, and Proverbs traced to their Sources in Ancient and Modern Literature.  16th rev. and enl. ed.  Canada: Little & Brown, 1992.

Beare, Charles.  “Jew’s Harp.”  The New Grove Dictionary of Musical Instruments.  Vol. 2. London: Macmillan, 1984.  326-328.

Béhague, Gerard.  Music in Latin America: An Introduction.  Prentice-Hall History of Music Series.  Englewood Cliffs, N.J.: Prentice-Hall, 1979.

Berliner, Paul F. The Soul of Mbira: Music and Tradition of the Shona People of Zimbabwe. Chicago: U of Chicago Press, 1981.

Blackburn, Philip.   Harry Partch. Enclosure 3.  Saint Paul, MN: American Composers Forum, 1997.

Blatter, Alfred.  Instrumentation and Orchestration.  2nd ed.  New York: Schirmer, 1997.

Broughton Simon, Mark Ellingham, David Muddyman, and Richard Trillo, eds. The Rough Guide to World Music. London: Rough Guides, 1995.

Chá, Ercilia Moreno.  “Music in the Southern Cone: Chile, Argentina and Uruguay.”  John M. Schechter, ed.  Music in Latin American Culture: Regional Traditions. New York: Schirmer, 1999.  236-301.

Clarke, Donald, ed. The Penguin Encyclopedia of Popular Music. London: Penguin Books, 1990.

Clubs, Pubs, Taverns and Bars Australia, 1994-95. Canberra: Australian Bureau of Statistics, 1996, Cat. No. 8687.0.

Cohen, J. M. and M. J.  The New Penguin Dictionary of Quotations.  London: Viking, 1992.

Coldbeck, Julian. Keyfax 3: The Definite Guide to Buying Electronic Keyboards. London: Music Maker Books, 1988.

“Como lo van hallando: Tenemos una peña lirica [What Do You Think: We Have the Lyrical Group.”  Trans. Andrian Pertout.  Las Ultimas Noticias  (22 Jul. 1970) 16.

Cope, David.  New Directions in Music. 6th ed.  Sydney: Mc Graw-Hill, 1993.

- - - .  Techniques of the Contemporary Composer.  New York: Schirmer, 1997.

Cowell, Henry.  New Musical Resources. New York: Cambridge U Press, 1996.

Dallin, Leon.  Techniques of Twentieth Century Composition: A Guide to the Materials of Modern Music.  3rd ed.  Dubuque, Iowa: W. C. Brown Co., 1974.

Daniélou, Alain.  Introduction to the Study of Musical Scales.  London: India Society, 1943

Dournon, Geneviève. Instruments de Musique du Monde: Le Chant du Monde. Paris: Musée de l'Homme, 1990.

Earls, Paul.  “Harry Partch.”  The New Grove Dictionary of Music and Musicians.  Stanley Sadie, ed.  5th ed.  Vol. 14.  London: Macmillan, 1980.  252-253.

“Eh, mozo, me canta por favor: Bueno, porque soy Esloveno [Hey, Waiter, Sing For Me Please: Well, Why I am Slovenian].”  Trans. Andrian Pertout, and Maritza Pertout.  Las Ultimas Noticias: Diario Magazine de Santiago para todo Chile  (20 Dec. 1965) 52.

Encyclopaedia Britannica.  “Chile.” Encyclopaedia Britannica CD 99.  Multimedia ed.  CD-ROM.  Chicago: Encyclopaedia Britannica, 1999.

Fairley, Jan.  “Nueva Cancion: The Guitar is a Gun – The Song is a Bullet.”  Simon Broughton, Mark Ellingham, David Muddyman, and Richard Trillo, eds.  World Music: The Rough Guide.  London: Rough Guides, 1994.  569-577.

Feld, Steven.  “Aesthetic as Iconicity of Style (Uptown Title); or, (Downtown Title) ‘Lift-up-over Sounding’: Getting into the Kaluli Groove.”  Yearbook for Traditional Music 20 (1988): 109-150.

- - - .  “‘Flow Like a Waterfall’: The Metaphors of Kaluli Musical Theory.” Yearbook for Traditional Music 13 (1981): 227.

- - - .  Sound and Sentiment: Birds, Weeping, Poetics, and Song in Kaluli Expression.  2nd ed.  Philadelphia: U of Pennsylvania Press, 1990.

- - - .  “Sound Structure as Social Structure.”  Ethnomusicology 38.3 (1984): 383-409.

Fox, Leonard, sel., ed. and trans.  The Jew's Harp: A Comprehensive Anthology.  London: Bucknell U Press, 1988.

Grout, Donald Jay, and Claude V. Palisca. A History of Western Music.  5th ed.  New York: W. W. Norton, 1996.

Henry, James L.  “Possible Involvement of Endorphins in Altered States of Consciousness.” Ethos: Journal of the
Society for Psychological Anthropology 10.4  (1982): 394-408.

Hitchcok, Wiley H., and Stanley Sadie, eds. The New Grove Dictionary of American Music.  4 vols.  London: Macmillan, 1986.

Hobley, L. F.  Tropical Forests of the World.  London: Macmillan, 1984.

Holland, James. Percussion. London: Khan & Averill, 1978.

Kernfeld, Barry, ed. The New Grove Dictionary of Jazz. 2 vols. London: Macmillan, 1988.

Koch, Frederick.  Reflections on Composing: Four American Composers.  Pittsburgh, Pa.: Carnegie-Mellon U Press, 1983.

Marcuse, Sibyl.  A Survey of Musical Instruments. London: Newton Abbot, 1975

Migration, Australia.  Canberra: Australian Bureau of Statistics, 1999.  Cat. No. 3412.0.Dearling, Robert, ed.  The Ultimate Encyclopedia of Musical Instruments.  London: Carlton, 1996.

Miller, Leta E., and Fredric Lieberman. Lou Harrison: Composing a World.  New York: Oxford U Press, 1998.

Morris, Mark.  The Pimlico Dictionary of Twentieth Century Composers.  London: Pimlico, 1999.

Newman, Arnold.  Tropical Rainforest: A World Survey of our Most Valuable and Endangered Habitat with a Blueprint for its Survival.  New York Facts On Life, 1990.

Nichol, John.  The Mighty Rainforest. London: David & Charles, 1990.

Odum, Eugene P.  “Ecosystems.” The New Encyclopaedia Britannica: Macropaedia.  15th ed.  Vol. 17.  Chicago: Encyclopaedia Britannica, 1989.  979-983.

Olsen, Dale A.  “Folk Music of South America – A Musical Mosaic.”  Elizabeth May, ed.  Musics of Many Cultures. California: U of California Press, 1980.  386-425.

Olson, Harry F.  Music, Physics and Engineering. 2nd ed.  New York: Dover, 1967.

Partch, Harry.  Bitter Music: Collected Journals, Essays, Introductions, and Librettos.  ThomasMc Geary ed.  Urbana: U of Illinois Press, 1991.

- - - .  Genesis of a Music: An Account of a Creative Work, its Roots and its Fulfillments.  2nd ed.  New York: Da Capo Press, 1974.

Persichetti, Vincent.  Twentieth-Century Harmony: Creative Aspects and Practice.  New York: W. W. Norton & Co, 1961.

Randel, Don Michael, ed. The New Harvard Dictionary of Music. Cambridge, Mass.: Belknap Press of Harvard U Press, 1986.

Robertson, Donald. Rhythmic Introduction to Indian Music: Tabla. New York: Peer International, 1968.

Romanowski Patricia, and Holly George-Warren. The New Rolling Stone Encyclopedia of Rock & Roll. 2nd ed. New York: Fireside, 1995.

Roseman, Marina.  Healing Sounds from the Malaysian Rainforest: Temiar Music and Medicine.  Berkeley: U of California Press, 1993.

- - - .  “Inversion and Conjecture: Male and Female Performance Among the Temiar of Peninsular Malaysia.” Women and Music in Cross-cultural Perspective.  Ed. Ellen Koskoff.  Urbana: U of Illinois Press, 1989.  131-149.

- - - .  “The Social Structuring of Sound: The Temiar of Peninsular Malaysia.”  Ethnomusicology 38.3 (1984): 411-445.

Rossing, Thomas D.  The Science of Sound. 2nd ed.  Reading, MA.: Addison-Wesley, 1990.

Rouget, Gilbert.  Music and Trance: A Theory of the Relations Between Music and Possession. Chicago: U of Chicago Press, 1985.

Sadie, Stanley, ed. The New Grove Concise Dictionary of Music. London: Macmillan, 1994.

- - - .  The New Grove Dictionary of Musical Instruments. 3 vols. London: Macmillan, 1984.

- - - . The New Grove Dictionary of Music and Musicians.  5th ed.  20 vols.  London: Macmillan, 1980.

Saylor, Bruce.  “Henry Cowell.”  The New Grove Dictionary of Music and Musicians.  Stanley Sadie, ed.  5th ed.  Vol. 5.  London: Macmillan, 1980.  8-12.

Schieffelin, Edward L.  The Sorrow of the Lonely and the Burning of the Dancers.  St. Lucia, Qld.: U of Queensland Press, 1997.

Schmidt, Dr. Wilhelm Ludwig.  “The Aura or Mouth-Harmonica.”  The Jew's Harp: A Comprehensive Anthology. London: Bucknell U Press, 1988.  97-129.

Seeger, Anthony.  “Sing for your Sister: The Structure and Performance of Suyá Akia.”  Eds. Norma McLeod, and Marcia Herndon.  The Ethnography of Musical Performance. Norwood: Norwood Editions, 1980.  269-304.

- - - .  Why Suyá Sing: A musical anthropology of an Amazonian people.  Cambridge: Cambridge U Press, 1987.

Slonimsky, Nicolas.  Music of Latin America. New York: Thomas Y. Crowell, 1945.

Snaden, James N.  “Brazil.”  The Macmillan Family Encyclopedia.  5th ed.  Vol.3.  London: Macmillan, 1984.  459-464.

Sweeney, Philip. The Virgin Directory of World Music. London: Virgin, 1991.

Tanner, Paul, and Michael Gerow.  A Study of Jazz.  Dubuque, IA: William C. Brown, 1984.

Thorne, Tony, ed.  Dictionary of Contemporary Slang.  London: Bloomsbury, 1990.

Turnbull, Colin.  “Liminality: A Synthesis of Subjective and Objective Experience.”  Eds. Richard Schechner, and Willa Appel.  By Means of Performance: Intercultural Studies of Theatre and Ritual.  Cambridge: Cambridge U Press, 1990.  50-81

- - -.  The Forest People.  London: Pimlico, 1993.

- - -.  The Mbuti Pygmies: Change and Adaptation.  New York: Holt, Rinehart and Winston, 1983.

Virtue, Therese, ed.  “Latin American Culture in Melbourne.”  Tradition & Transition:  Music of Four Communities.  Pauline Meaney, comp.  Melbourne: The Boîte, 1986.  33-45.

Wachtel, Paul Spencer, Justin Kenrick, and Theodore Macdonald Jr.  “Forests and People.”  Rainforests: The Illustrated Library of the Earth.  Sydney: Reader’s Digest Press, 1993.  82-115.

Work in Selected Culture/Leisure Activities, Australia, March 1997.  Canberra: Australian Bureau of Statistics, 1997, Cat. No. 6281.0.

Horizontal Marker

Andrián Pertout's Home Page