• ¿Ya se rindió Allende? for Chamber Orchestra, Tape and Visuals, no. 484 (2023) – commissioned by Rodolfo Fischer (Basel, Switzerland) for performance by the Orquesta de Cámara de Valdivia (Valdivia, Chile) as part of the 30th Festival Internacional de Cine de Valdivia (FICValdivia)

• Tenebrae for Speaker and Harmonium, no. 483 (2023) – commissioned by German pianist Lars David Kellner (Munich, Germany)

• Aphaíresis (αφαίρεσις) for Contrabass Flute, Virtual Ancient Greek Instruments and Electronics, no. 482 (2023) – commissioned by ‘low flutes’ specialist Peter Sheridan (Melbourne, Australia) for performance at the 2023 Australian Flute Festival (29 September – 2 October 2023, Sydney Conservatorium of Music, Sydney, Australia)

• Samakramikata (Synchronicity) for Flute, Clarinet, Bassoon and Pianoforte, no. 481 (2023) – commissioned by Sirius Chamber Ensemble (Sydney, Australia)

• La luz del cielo (The Light of Heaven) for Violin, Viola d’amore, Pianoforte, String Orchestra, Electronics and Visuals, no. 480 (2022) – commissioned by Luis José Recart and the Orquesta Marga Marga (Valparaíso, Chile)

• La Vita Nuova for Soprano and Pianoforte, no. 479 (2022) – commissioned by Angela lnés Simbaqueba (Bogotá, Colombia)

• Iluminación for Soprano and Pianoforte, no. 478 (2022) – commissioned by Angela lnés Simbaqueba (Bogotá, Colombia)

• Reflexiones, refracciones y difracciones for Bass Clarinet, no. 477 (2022) – commissioned by Kathya Galleguillos Díaz (Santiago, Chile)

• Mondnacht for Speaker and Celesta, no. 476 (2022) – commissioned by Lars David Kellner (Munich, Germany)

• Tatar Song (Татар Жыры) for Violoncello, Guitar and Pianoforte, no. 474 (2022) – commissioned by the 16th ‘Europe-Asia’ International Festival of New Music (Kazan, Republic of Tatarstan, Russian Federation)

• La terre est ta mère for Pianoforte, Cooking Pot, Wooden Spoon, Toy Piano and Tape, no. 471 (2021) – commissioned by María Paz Santibañez (Paris, France) for the ‘Impact, Your Eyes, Your Rights’ project

• Dance of the Neutron Stars for Alto Saxophone and Guitar, no. 470 (2021) – commissioned by the Japan Federation of Composers (Tokyo, Japan) in celebration of the 60th Anniversary of the Japan Federation of Composers (JFC) and 50th Anniversary of the Asian Composers’ League (ACL)

• Mīmēsis (μίμησις) for Viola and Virtual Nagoya Harp, no. 469 (2021) – commissioned by the Australian National Academy of Music (ANAM) for performance by Australian violist Henry Justo as part of ‘The ANAM Set’ project encompassing “67 Australian composers working in close partnership with ANAM’s 67 musicians to create 67 new solo/duo Australian works.”

• Decodificando el Universo for Hyperbass Flute, Virtual Prepared Pianoforte, Jaw Harp, Percussion and String Orchestra, no. 467 (2021) – commissioned by Rodolfo Fischer (Basel, Switzerland) for performance by ‘low flutes’ specialist Peter Sheridan and multi-instrumentalist/composer Andrián Pertout (Melbourne, Australia), percussionist Claudio Estay (Munich, Germany), and the Orquesta de Cámara de Valdivia (Valdivia, Chile) conducted by Rodolfo Fischer

• Eudaimonia (εύδαιμονία) for French Horn and Virtual Prepared Pianoforte (or Sustaining Instrument), no. 466 (2021) – commissioned by Dr Tracy Newlands for performance by Australian hornist Carla Blackwood (Melbourne, Australia)

• Velocità astratta + rumore for Flute and Virtual Prepared Pianoforte, no. 465 (2020) – commissioned by Julian Burnside AO QC for performance by Pietro Doronzo (Barletta, Apulia, Italy)

• The Polymorphism of Consciousness, Concerto for Multiple Keyboards and Wind Symphony, no. 462 (2020-22) – commissioned by Julian Burnside AO QC for performance by Australian pianist Michael Kieran Harvey in association with Simon Reade and the Hobart Wind Symphony (Hobart, Tasmania, Australia)

• El confiteor del artista, Étude for Chamber Orchestra, no. 456 (2019) – commissioned by Rodolfo Fischer (Basel, Switzerland) for performance as part of the ‘12 Estudios de dirección: Material formativo para directores’ (‘12 Conducting Studies: Training Material for Conductors’) international project

• O’zbek gulining raqsi (Dance of the Uzbek Flower), Concertino for Pianoforte, Percussion and Symphony Orchestra, no. 457 (2020) – commissioned by the VI International Festival of Symphonic Music for performance by Elnura Mirzakamalova and the Uzbekistan National Symphony Orchestra (Tashkent, Uzbekistan)

• ¿Qué pasaría si la tierra pudiera hablar? for Oboe, no. 458 (2020) – commissioned by José Luis Urquieta (La Serena, Chile)

• Mantra de regeneración for String Orchestra, no. 459 (2020) – commissioned by Luis José Recart and the Orquesta Marga Marga (Valparaíso, Chile)

• Hacia los vientos norteños for Symphony Orchestra, no. 454 (2019) – commissioned by the Orquesta Sinfónica de La Serena (La Serena, Chile)

• On the Edge of Eternity for Symphony Orchestra, no. 452 (2019) – commissioned by Julian Burnside AO QC for performance by the Orquesta Sinfónica Simón Bolívar de Venezuela (Caracas, Venezuela)

• El amor a la sabiduría for Solo Violin, Harpsichord and String Orchestra, no. 449 (2018) – commissioned by Luis José Recart and the Orquesta Marga Marga (Valparaíso, Chile)

• Aire para Soro for Symphony Orchestra, no. 447 (2018) – commissioned by the Orquesta Sinfónica Nacional de Chile (Santiago, Chile)

• Atoms of Silence for Symphony Orchestra, no. 444 (2017-2018) – commissioned by Julian Burnside AO QC for performance by the Australian Discovery Orchestra

• Entropia for Symphony Orchestra, no. 441 (2017) – commissioned by the Tatarstan National Symphony Orchestra (Kazan, Tatarstan, Russia)

• Interpolatus for Clarinet, Violin and Violoncello, no. 442 (2017) – commissioned by Julian Burnside AO QC for performance by ustralian clarinettist Richard Rourke

• Voyage à la terre de l’enchantement for Violin, Clarinet and Pianoforte, no. 434 (2016) – commissioned by Julian Burnside AO QC for performance by Plexus

• L’apparition d’atomes for Virtual Analog Synthesizers and Quadrophonic Sound Diffusion, no. 432 (2015) – commissioned by the School of Art Design and Media, Nanyang Technological University (Singapore)

• Here and Now, Concerto for Low Flutes, Percussion, String Orchestra and Electronics, no. 431 (2015) – commissioned by Julian Burnside AO QC for performance by low flute specialist Peter Sheridan

• Angustam Amice for Choir (SATB) and String Orchestra, no. 428 (2014-2015) – commissioned by the Victoria Chorale

• Musica universalis for Theremin and Harmonic Bells, no. 427 (2014) – commissioned by Lydia Kavina (London, UK)

• The Unity of Virtue for Wind Symphony and Optional Youth Orchestra, no. 426 (2014) – commissioned by the Ballarat Wind Orchestra, and especially composed for the orchestra’s 2014 tour of China, encompassing five concerts in five cities: Baoding, Dezhou, Jinan, Xuzhou and Shanghai

• L’architecture du cosmos for Pianoforte, no. 425 (2013-2014) – commissioned by María Paz Santibañez (Paris, France)

• Iluminismo, Concertino-Doppio for Alto Saxophone, Harp and String Orchestra, no. 422 (2013) – commissioned by the American Harp Society, Inc. New York, NY (USA) for performance by Noah Getz (Washington, DC, USA) and Jacqueline Pollauf (Baltimore, Maryland, USA)

• Esprit de la lune for Soprano Saxophone and Organ, no. 421 (2012) – commissioned by Noah Getz (Washington, DC, USA) and Heinrich Christensen (Boston, MA, USA)

• Luz meridional, Twenty-four Études for Pianoforte, no. 411 (2009-2012) – commissioned by Julian Burnside AO QC (composed for Australian pianist Michael Kieran Harvey as part of a 2009 State Library of Victoria Creative Fellowship)

• Una danza chilena for violoncello and pianoforte, no. 416 (2011) – commissioned by the Corporación Cultural de Viña del Mar as the ‘Compulsory Chilean Work to be Performed by all Competitors’ of the 2011 Concurso Internacional de Ejecución Musical ‘Dr. Luis Sigall’ – Violoncello Mention (Viña del Mar, Chile)

• Ñamkonün (En la profundidad de las aguas), concertante for chamber orchestra, no. 415 (2011) – commissioned by the Orquesta de Cámara de Valdivia (Valdivia, Chile)

• A borboleta for robot orchestra, no. 404 (2011) – commissioned by the Logos Foundation for performance by the Logos Foundation Robot Orchestra (Ghent, Belgium)

• The Elements for violin, no. 403 (2009) – commissioned by Piotr Szewczyk (Jacksonville, FL, USA)

• Riesenschritte for alto saxophone and pianoforte, no. 402 (2008) – commissioned by Noah Getz (Washington, DC, USA)

• Pi (Obstruction) for toy piano, no. 401 (2008) – commissioned by Phyllis Chen (New York, NY, USA)

• Cinq petites mélodies for pianoforte, no. 400 (2008) – commissioned by Julian Burnside QC for performance by Michael Kieran Harvey

• Bhuwana Agung for Soprano Saxophone and Gamelan ‘Gong Kebyar’ Orchestra, no. 399 (2008) – commissioned by Julian Burnside QC for performance by the Hong Kong University Balinese ‘Gamelan Gong Kebyar’ Orchestra (Hong Kong)

• Rishis and Saints for violoncello and prepared pianoforte, no. 398 (2007) – commissioned by Alister Barker and Michael Kieran-Harvey

• Tres Imágenes Norteñas for shakuhachi and harpsichord, no. 396 (2006) – commissioned by Anne Norman and Peter Hagen

• Aequilibrium for flute, clarinet, viola, violoncello, trombone, pianoforte and percussion, no. 395 (2006) – commissioned by Pavel Mihelcic and the Ensemble MD7 (Ljubljana, Slovenia)

• Symétrie intégrante for flute, organ and electronics, no. 394 (2006) – commissioned by the City of Melbourne for performance by Andrew Blackburn and Jean Penny